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A PERFORMANCE
 IS A

      LONG
      QUIET RIVER

PREMIERE DEC.2021 TANZHAUS NRW DÜSSELDORF

Choreography by Céline Bellut

Performance by Nejma Larichi and Jana Zöll

Music composition and dramaturgy by Jakob Lorenz

Stage design by Céline Bellut, Philipp Dreber and Saskia Holte

Stage design construction by Philipp Dreber

Costumes by Saskia Holte

Light design by Markus Becker 

Choreographic assistance by Jordan Gigout

Production direction by Caroline Skibinski 

Photo Documentation by Hans Diernberger

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A co-production of Tanzhaus NRW Düsseldorf.

The production is supported by the : Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media within the framework of NEUSTART KULTUR. 

Ministry of Culture and Science of the State of North Rhine-Westphalia, NRW State Office for the Performing Arts. Cultural Office of the City of Cologne. 

This project was realized with the support of FREIRAUM, collaborative conceptual and working space for the arts, and through the residency program Tanzatelier 0.10 in Quartier am Hafen.

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The monologue at the introduction of the piece, is inspired by a conference by André Comte-Sponville at the Hopitaux Universitaire de Genève in 2016.

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PERFORMED :

(Rh)einfach Festival Tanzfaktur Köln | October 2023 INFOS

Köln TanzPrize | Cologne dance price Ceremony | nominated "best choreography 2022"| 5th December 2022

FAVORITEN FESTIVAL |Theater im Depot Dortmund | 18th September 2022

Tanzfaktur Köln | 29th January 2022​

Tanzfaktur Köln | 30th January 2022

Tanzhaus NRW Düsseldorf | 11th December 2021

Tanzhaus NRW Düsseldorf | 10th December 2021

Tanzhaus NRW Düsseldorf | 9th December 2021 

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Nominated for the Cologne Dance Prize 2022, "A Performance is a Long Quiet River" by Céline Bellut delves into the theme of boredom, questioning societal perspectives on activity and passivity. It critiques normative and ableist views of active and passive bodies, while exploring the structural conditions that determine what is considered valuable action. Philosopher Jean-Paul Sartre argued that individuals are defined by their actions (“to act, is the change the figure of the world”), but Bellut challenges whether this distinction still holds true, revealing the privileged perspective from which it arises.

 

Our society, its architecture, and its infrastructures do not offer the same opportunities for all bodies to act freely, move autonomously, or co-create our lives. With a team of two dancers, two visual artists, and a composer, Bellut examines these inequities by blending visual art with stage performance. The language of dance and movement explores the performative potential of boredom and stagnation, magnifying the physical outcomes of passivity through choreography, absurd actions, and shared thoughts.

 

The piece also confronts our existential fear of passivity and the inner struggle to remain active, even when it isn’t necessary. Through this exploration, Bellut reflects on economic degrowth and the value of doing less, suggesting that sometimes, doing nothing can be the best way to begin something meaningful.

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A body that moves is a body that dances, no one has the legitimacy to name what is and is not a body suitable for dancing. Follow boredom without judgement. Cultivate empathy to create connections.  Don’t be afraid of radical ideas, but don't chase radicality. The human experience is universal. Condemn the inaccessible. Do not create in order to place yourself above the one receiving your work, art is not a celebration of its creators.  Challenge

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